Follows on from Grade 6 and Grade 7 books. The Harmony section includes recognition of more complex chords - including augmented 6ths and dominant 9ths and 13ths. There is a a step-by-step approach to writing trio sonatas above a given figured bass. The final part of the book contains numerous sample questions of the types found on ABRSM Grade 8 papers. This can also be a useful source of practice material for A Level students.
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